2026俄羅馬希中5+國際攝影展藝術委員會（俄羅斯-羅馬尼亞-北馬其頓-希臘-中國）

Arts Committee  of RRMGC 2026 5+Internationa Photogrphy Exhibition 

Chian Photo Network Online
中國攝影在線

Japan Chinese Photography Exchange Association
在日華人攝影交流協會

Association of Photographers Eurasia
歐亞攝影師協會

Varadinum Foto Club-Oradea Romania
瓦拉迪努姆攝影俱樂部

Photo Club Kumanovo
庫馬諾沃攝影俱樂部

Hellenic Photographic Society
希臘攝影學會

The Photography Salon Society of Macao
澳門沙龍影藝會

前 言

    如果說，上一回《現·像》展，是我們在全球疫情的陰霾下，退回內心、于“人性與理性”中尋找安頓與守望；那么今天，這場“從東歐到東方”的五國人文攝影展，則是我們循著光影的指引，重新邁開腳步，跨越經緯度的一次深情出發。

    本次展覽以俄羅斯、羅馬尼亞、北馬其頓、希臘與中國五國為核心脈絡。從俄羅斯廣袤原野的深沉、羅馬尼亞喀爾巴阡山的厚重，到北馬其頓深邃古韻的回響、希臘愛琴海畔的明滅，再到中國大地的氤氳煙火與巍峨長城，五國攝影家共同劃出了一條由西向東的漫長視覺弧線。這不僅是地理意義上的跨越，更是不同源流的文明在光影中的一次相遇與對讀。

    如此深度的跨越與對話，離不開學術的引航。本次展覽學術陣容強大，藝委會特邀中國攝影界泰斗、以《中國長城》系列聞名于世的陳長芬先生領銜，并由羅馬尼亞、希臘、俄羅斯、北馬其頓等國權威攝影機構負責人共同組成。這不僅是跨國界組織力量的匯聚，更是東西方影像學術視野的深度融合。陳長芬先生鏡頭下那道承載著中華民族精神形象的長城，與東歐大地上同樣歷經滄桑的古堡與遺跡，在學術的維度上形成了跨越時空的互文，確保了本次展覽在極高專業視野下的嚴謹與開放。

    值得關注的是，在日華人攝影交流協會會長馮學敏先生及六位在日華人攝影家的傾情參展，為這次跨越經緯的對話注入了獨特的跨文化生機。他們身處異邦，鏡頭里既凝結著華夏兒女對故土的深情與東方審美的底蘊，又不可避免地融匯了異域生活帶來的光影感知與視界流變。這群在日華人的視界，如同一道柔性的橋梁，讓“東方”的內涵在流動與互鑒中變得更加豐盈立體。

    由此，正如《現·像》中所言，中西方文化背景的不同，必然帶來攝影語言表達的差異。在此次多國并置的場域中，這種差異依然鮮明且迷人：俄羅斯與羅馬尼亞的鏡頭里，往往帶著歷史沉淀下的冷峻與悲憫；北馬其頓與希臘的畫面中交織著古文明的深邃與哲思；而東方中國的影像，則依然流淌著傳統文化熏陶下的詩意與氣韻，在萬物生息中捕捉那份天人合一的溫情。

    一種是把生活的厚度直接剖開，邀請你共嘗悲歡；另一種是將生命的體驗化境，等待你靜心品讀。然而，當五國作品并置一堂，我們再次印證了那個樸素的真理：在“攝影”這個共通的范疇里，所有形態的差異，最終都匯聚于對“人”的共同關切。無論是東歐街頭的孤影，還是東方村落里的笑靨，底色皆是人間煙火，皆是生命在特定時空下頑強而美麗的綻放。

    時光流轉，當年促使我們轉戰線上的疫情陰霾已漸漸散去，但中國攝影在線網對云端展覽的深耕與探索未曾停歇。從昔日線上解渴的權宜，到今朝云端漫游的常態；從《現·像》的交錯式對流，到如今“從東歐到東方”五國學術陣容的深度共建，線上平臺早已跨越了物理空間的藩籬，成為連接中外攝影界更具廣度與韌性的橋梁。這種長年累月的積淀，讓國際間的交流不再受制于地域的阻隔，而是走向了文化肌理深處的共振。

    方寸之器，因心而殊，凝駐萬端時空；千面之影，同氣相求，共奏生民天籟。越言筌之藩籬，晤對五國流光，當覺超乎疆域之外，人性與理性，渾然共融。

    延續這種交流，不僅是責任，更是在這個變化莫測的世界里，我們借由攝影向彼此傳遞的最溫暖的確認。

策展人  陳偉錄

Foreword

If our previous exhibition Reflection & Phenomenon was a retreat into the inner self amid the gloom of the global pandemic, a quest for spiritual anchorage and vigilance within humanity and rationality; then this five-country humanistic photography exhibition, “From Eastern Europe to the East”, represents a heartfelt journey forward guided by light and shadow — a new expedition spanning latitudes and longitudes.

Centering on five regions — Russia, Romania, North Macedonia, Greece and China — this exhibition traces a vivid visual journey. It moves from the profound vastness of Russia’s wilderness and the solemn grandeur of Romania’s Carpathian Mountains, through the echoing ancient charm of North Macedonia and the flickering radiance of Greece’s Aegean coast, to the lively mortal warmth and the majestic Great Wall of China. Photographers from the five countries jointly unfold a long visual arc stretching from the West to the East. This is not merely a geographical crossing, but a profound encounter and dialogue between civilizations of diverse origins, interpreted through the language of photography.

Such in-depth cross-border dialogue and exchange is underpinned by rigorous academic guidance. Boasting a distinguished academic team, the exhibition’s Art Committee is led by Mr. Chen Changfen, a towering figure in Chinese photography renowned for his iconic series The Great Wall of China. The committee is further composed of leading representatives from authoritative photography institutions across Romania, Greece, Russia and North Macedonia. It embodies not only the convergence of cross-border professional forces, but also the in-depth integration of Eastern and Western photographic academic visions. The Great Wall in Mr. Chen Changfen’s lens, a timeless symbol of the Chinese national spirit, forms a cross-temporal intertextuality with the time-honored castles and relics of Eastern Europe. This strong academic foundation ensures the exhibition maintains professionalism, rigor and inclusiveness at an exceptionally high standard.

Notably, the participation of Mr. Feng Xuemin, President of the Overseas Chinese Photography Exchange Association in Japan, together with six overseas Chinese photographers based in Japan, infuses unique cross-cultural vitality into this cross-latitude dialogue. Residing in foreign lands, their lenses embody both the profound affection of overseas Chinese for their homeland and the inherent aesthetics of the East, while integrating fresh perceptual insights and evolving visual perspectives nurtured by overseas life. Their unique vision serves as a flexible cultural bridge, enriching and diversifying the connotation of “the East” through cultural integration and mutual appreciation.

As noted in our previous exhibitionReflection & Phenomenon, differences in Chinese and Western cultural backgrounds inevitably give rise to distinct photographic expressions. Such differences remain striking and captivating in this juxtaposed multi-country exhibition. The lenses of Russian and Romanian photographers often carry the solemnity and compassion forged by historical sediment; works from North Macedonia and Greece are permeated with the profundity and philosophical contemplation of ancient civilizations; while Eastern Chinese photography lingers with the poetic charm and artistic verve nurtured by traditional culture, capturing the warmth of the unity of humanity and nature amid the cycles of all living things.

Some works lay bare the depth of life directly, inviting viewers to taste the joys and sorrows of mortal existence; others transform life experiences into artistic conception, awaiting quiet contemplation and interpretation. Nevertheless, the juxtaposition of works from the five countries reaffirms a simple truth: within the universal language of photography, all stylistic differences ultimately converge in the shared concern for humanity. Whether it is a solitary figure on an Eastern European street or a smiling face in an Eastern village, all works are rooted in the warmth of ordinary life, witnessing the tenacious and beautiful blooming of life in specific time and space.

The shadow of the pandemic that once drove art exhibitions online has gradually faded with the passage of time. Yet China Photography Online has never ceased its in-depth exploration of cloud-based exhibitions. What was once a makeshift solution to sustain artistic exchange has now become a normalized way of roaming art online. From the interactive cultural dialogue of Reflection & Phenomenon to the in-depth academic co-creation of this five-country exhibition spanning Eastern Europe and the East, the online platform has broken the barriers of physical space, evolving into a broader and more resilient bridge connecting the Chinese and international photography communities. Years of persistent accumulation have freed international artistic communication from geographical constraints, enabling profound resonance within the core of diverse cultures.

Framed within a small lens, time and space are redefined by the artist’s heart; diverse photographic visions, united in spirit, jointly sing the authentic melody of mortal life. Transcending the limitations of language and form, we confront the flowing imagery of five nations, witnessing the harmonious integration of humanity and rationality beyond territorial boundaries.

Sustaining such cross-cultural exchanges is not merely a responsibility, but also the warmest affirmation we deliver to one another through photography in an ever-changing world.

Chief Curator: Chen Weilu