吳旗 Wu Qi（中國攝影在線） 1990年， 畢業于蘇州絲綢工學院工藝美術系（現蘇州大學藝術學院） 攝影家、策展人、設計師 榮獲2007第七屆中國攝影金像獎圖書獎 2008法國凱·布朗利國家博物館年度藝術家攝影獎 2008中國濟南當代國際攝影雙年展世界職業攝影師獎 2025麗水攝影節專家推薦攝影師榮譽 2007年，《白天不懂夜的黑》參展法國巴黎首屆國際攝影展 2007年，《沉重的灰塵》參展美國休士頓國際攝影節中國煤礦展 2011年，《沉重的灰塵》參展北京三影堂《冰+煤》攝影聯展 2013年， 倫敦薩默塞特宮首屆先正達攝影作品展 2014年，作品參展藝術巴黎·中國藝術展 2015年，《沉重的灰塵》參展上海徐匯萬科中心《冰+煤》展 2018年，參展美國舊金山福特梅森藝術和文化中心《COAL+ICE》展 2022年，參展美國約翰肯尼迪表演藝術中心《COAL+ICE》紀實攝影展 作品多次參展中國連州、平遙、麗水、濟南等攝影節 攝影作品有《白天不懂夜的黑》《沉重的灰塵》《九州魔方》《在動物園的日子》《空氣中的魚》《有程序的光》等系列，作品被英國影像檔案館等多家國內外藝術機構收藏 作品在《中國攝影》《大眾攝影》《中國攝影家》《中國攝影報》《Le Monde2》《Arts Photo》《AIR FRANCE MAGAZINE》《Art Press》等國內外藝術刊刊發。 Graduated from the Department of Arts and Crafts, Suzhou Institute of Silk Technology (now School of Art, Soochow University) in 1990. Photographer, Curator, Designer Honors & Awards ·2007 Book Award, 7th China Photographic Golden Award ·2008 Artist of the Year Photography Award, Musée du Quai Branly – Jacques Chirac, France ·2008 World Professional Photographer Award, Jinan China Contemporary International Photography Biennale ·2025 Expert Recommended Photographer, Lishui Photography Festival Selected Exhibitions ·2007 Day Fails to Grasp the Night’s Darkness, 1st Paris International Photography Exhibition, Paris, France ·2007 Heavy Dust, China Coal Photography Exhibition, Houston International Photography Festival, USA ·2011 Heavy Dust, Coal + Ice Group Exhibition, Three Shadows Photography Art Centre, Beijing ·2013 1st Syngenta Photography Exhibition, Somerset House, London ·2014 Art Paris – Chinese Art Exhibition, Paris, France ·2015 Heavy Dust, Coal + Ice Exhibition, Xuhui Vanke Center, Shanghai ·2018 COAL+ICE Exhibition, Fort Mason Center for Arts & Culture, San Francisco, USA ·2022 COAL+ICE Documentary Photography Exhibition, John F. Kennedy Center for the Performing Arts, USA He has exhibited frequently at major Chinese photography festivals including Lianzhou, Pingyao, Lishui and Jinan. Art Series & Collections Major photographic series include: Day Fails to Grasp the Night’s Darkness, Heavy Dust, Kyushu Rubik’s Cube, Days in the Zoo, Fish in the Air, The Light of Order. His works are collected by the British Film Institute National Archive and many other art institutions at home and abroad. Publications & Media His works have been published in renowned domestic and international art periodicals: Chinese Photography, Popular Photography, Chinese Photographer, China Photography News, Le Monde 2, Arts Photo, AIR FRANCE MAGAZINE, Art Press, etc. 瞬間空間人間——讀吳旗的《有程序的光》 文/周一渤（職業攝影師、攝影評論家、獨立策展人、詩人） 和吳旗認識二十多年了，在他的一系列作品中，我記得最清晰的是他的《白天不懂夜的黑》，他的影像在我的腦海里早已形成一個個特別的“言語符號”:驚險、刺激、奇異、隱秘、峻拔、陡峭、自由、神怡。 “瞬間”“空間”“人間”，這是讀過吳旗的《有程序的光》后，我腦中溢出的三個關鍵詞。在這部作品里，不僅處處閃耀著“決定性瞬間”的光輝，還在空間上更加擴展和延伸了時空狀態，從而建構了自己獨特的視域、視野和視覺，進而描述了一個嶄新的世界。在這個自主意識支配的世界里，他跳出了日常生活周遭的一切束縛和限制，翻開了一個原本的存在。這種存在給我們帶來的是驚喜、亢奮、激情、新鮮、愉悅、舒暢......也有深思、靜觀、愕然、苦悶......他帶我們如“柳暗花明”般看到了世界和人間“真實”的“又一面”。 其實，在我們的生命、生活和精神、意識里，有太多的隱秘世界，它離我們很近，像“暗物質”一般運行在我們生活的平臺上，四周的環境里，生命的皺褶里，像沒完沒了的“戲劇”，從來都未停歇......吳旗找到自己心中早已預設的位置，“窺視”著很多人忽視或看不見的場景和細節......我想，蘇聯著名的戲劇理論家車爾尼雪夫斯基說的“陌生化”，應該就是如此吧。 “程序”具有現代性，屬于大數據產物，也是吳旗用心的結果，而“光”則是他的“探測器”，同時描繪著人間五味雜陳的“劇場”。 Instant Space, Mortal World——On Wu Qi’s The Light of Order By Zhou Yibo (Professional Photographer, Photography Critic, Independent Curator, Poet) I have known Wu Qi for over two decades. Among his body of works, Day Fails to Grasp the Night’s Darkness remains most etched in my memory. His images have long evolved into unique visual symbols in my mind: breathtaking, striking, uncanny, recondite, lofty, precipitous, unrestrained, and soul-stirring. Instant, Space, Mortal World — these three keywords emerged spontaneously in my mind after viewing Wu Qi’s The Light of Order. The collection brims with the splendor of the decisive moment, while stretching and extending temporal and spatial dimensions to forge his unique vision, perspective and visual language, portraying an entirely new world. In this realm governed by his self-awareness, he breaks free from the confines of mundane daily life, unveiling the primal essence of existence. Such existence brings surprise, exhilaration, passion, freshness, joy and serenity; as well as introspection, contemplation, astonishment and melancholy. Like turning a corner to find sudden bloom, he leads us to behold the hidden truth of the world and mortal life. In our lives, spirits and consciousness lie countless hidden worlds. Close at hand, they operate like dark matter within the folds of life and the fabric of our surroundings, unfolding as endless ongoing dramas. Wu Qi has found his preset spiritual vantage point, quietly observing scenes and details overlooked or unseen by most. This, I believe, perfectly embodies the defamiliarization theory of the renowned Soviet theater theorist Nikolay Chernyshevsky. "Order" carries modernity, a product of the big-data era and the fruit of the artist’s deliberate contemplation. "Light", by contrast, serves as his detector, illuminating the earthly theater filled with the full spectrum of human joys and sorrows.
2014.3.20，陜西渭南，半開啟的大門與遠處中國清朝官員的雕像 March 20, 2014, Weinan, Shaanxi: A half-opened gate with a distant statue of a Qing Dynasty official
2024.6.8深圳,兩個追光玩耍的少年充滿崛起活力 June 8, 2024, Shenzhen: Two boys chasing light, brimming with youthful energy
2024.1.7，成都，機遇與夢想，成為名人是人們的夢想，一人走過藝術名家肖像展架的空隙 January 7, 2024, Chengdu: Opportunity and dream — a man passes through a gap between art masters' portrait displays
2024.4.19，重慶，在人民大禮堂柱腳巡視的保安是安全的保障 April 19, 2024, Chongqing: A security guard patrolling at the foot of a column in the People's Auditorium, a silent guardian of safety
2024.4.19，重慶，在人民大禮堂座位中，看手機找尋自我的的參觀者 April 19, 2024, Chongqing: A visitor sitting in the People's Auditorium, seeking himself through his phone screen
2024.1.10，成都，自律的人在咖啡館捂嘴低語 January 10, 2024, Chengdu: A disciplined person whispers with a hand over their mouth in a cafe
2023.4.25，重慶，歷史不能忘卻，一佝僂者走過博物館陳列的坦克 April 25, 2023, Chongqing: History shall not be forgotten — a hunched figure walks past a tank exhibited in the museum
2016.11.7 ，綿陽，城市建設與歷史文化保護時常沖突。城市建設的混凝土銳角刺破了歷史文化保護宣傳的廣告布，巧合的是畫面上有三個古代士兵在守護古城門 November 7, 2016, Mianyang: Conflict between urban construction and heritage preservation. A concrete edge tears a heritage conservation banner, coinciding with three ancient soldiers guarding the old city gate in the frame
2026.2.20,上海，一個人背站在如同佛龕的紅光里 February 20, 2026, Shanghai: A figure standing with their back turned, bathed in red light like a Buddhist niche
2019.4.27，成都，人是有面具的，兩人在臉譜前合影，明暗各不相同 April 27, 2019, Chengdu: Humans wear masks — two people pose in front of Peking Opera faces, each lit differently by light and shadow
2023.5.3.重慶，開放的蠟像館里一個男人與瑪麗蓮夢露的蠟像合影 May 3, 2023, Chongqing: A man takes a photo with Marilyn Monroe's wax figure in an open wax museum
2025.3.19，重慶，公園情侶在揮劍嬉戲，墻上的投影很有戲劇感 March 19, 2025, Chongqing: A couple playfully swinging swords in a park, their shadows on the wall creating a dramatic scene
2024.11.23，深圳，疲倦的大媽艱難站起，開始儀式的準備 November 23, 2024, Shenzhen: A tired middle-aged woman struggles to stand, beginning preparations for a ritual
2019.3.28，珠海，海邊健身的女人，動作奇特 March 28, 2019, Zhuhai: A woman working out by the sea in an unusual pose
2017.10.30 福建,排泄壓力，如鱷魚嘴般壓下的石頭和排氣的煙囪 October 30, 2017, Fujian: Releasing pressure — a rock pressing down like a crocodile's jaw beside a venting chimney
2025.90.24 ,重慶，江灘穿婚紗者與洗衣的老婦 September 24, 2025, Chongqing: A woman in a wedding dress and an old woman washing clothes on the riverbank
2024.9.30,重慶，商場櫥窗里的鷹的標本與玻璃反光中的抓娃娃機 September 30, 2024, Chongqing: An eagle specimen in a shop window, with a claw machine reflected in the glass
2025.9.20，重慶，一個美女模特有張力的魅影 September 20, 2025, Chongqing: A model's dramatic, striking silhouette
2025.6.20，重慶，遙控雙線風箏的大手 June 20, 2025, Chongqing: A large hand controlling a dual-line kite
2025.4.22，洛陽，年輕小伙背后有如翅膀的樹 April 22, 2025, Luoyang: A young man with tree branches forming wings behind him |
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